Intrigued by this photo? Anyone who is in the Colchester area this evening (Wednesday, 13th January), come along and find out more. My talk for Lexden History Group is entitled For the Love of Silk and will describe how my family’s remarkable 300 years of weaving silk has influenced my novels. http://www.lexdenhistory.org.uk/program-of-events/4580505205. Just £3 for non members including refreshments. What a deal!
I am so thrilled to receive photographs of another version of Maria’s Quilt from Germany. This beautiful quilt was made by Ursula, and I will let her tell you her story in her own words:
‘I started making patchwork and quilting about 10 years ago, when my busy life slowed down and I could finally afford to develop a very time consuming passion – quilting. Meanwhile I have retired and apart from my two little dogs quilting became a very important part of my life.
I got the book last November as a present. I felt attracted to the story of the quilt from different angles: including history and personal life stories into a quilt is a fascinating element. I read about American quilting and found some interesting legends on that. I also liked the way Liz Trenow let the modern protagonist Caroline find out about the history of the quilt and of Maria. It was more like detecting an old story than living and suffering in it.
The story of Maria is the second angle. The history of a now long dead relative of my family who spend years in psychiatric care had quite a few similarities and the book reminded me of her fate. Last but not least I felt inspired to making it because the quilt is so beautiful and I really wanted to make one myself.
Starting with traditional motives and projects, during the last couple of years I mostly tried different freestyle techniques, moving toward art quilts. When I started planning ‘Maria’s Quilt’ one of my quilting friends commented: ‘But that is very traditional.’
I really enjoyed following the instructions for this traditional quilt. With each round I read the part in the book again, where Maria was supposed doing it. Within the application round I changed to embroidered units, using silk yarn and little pearls. I decided to design the units out of elements from ancient motives.
I have given the quilt a subtitle: “Journey through time”, since it starts with ancient design and ends with some bright colours in modern design. I used some elements from Celtic and other ancient designs and looked individually for colour and style that would comply with each piece.
A big hello to all readers in Germany!
The Forgotten Seamstress has just been published in Germany by Random House and they have retitled it The Forgotten Word – which I think is rather lovely.
Here is the cover. Curiously, the building is vaguely reminiscent of some of the more classical frontages of Severalls Hospital, the former mental hospital in my home town on which I based the setting for the book, although I don’t remember the flower beds ever appearing as lush as these!
As I posted last week, already one German quilter has created her own version of Maria’s Quilt. Let’s hope that Lynne Edwards’ pattern is as popular with the quilting folk over there as it has been in the UK and America.
Ever since publication of The Forgotten Seamstress, I have been learning more and more about the work of the thousands of wonderful quilters in the UK. Some of them have used Lynne Edwards’ free pattern on this website to make their own interpretations of Maria’s Quilt. For photos of these beautiful quilts, see Bringing Maria’s Quilt to Life.
Now, to my great excitement, The Forgotten Seamstress has been published in Germany, and I have received news of the first Maria’s Quilt made by a German seamstress. Here it is! I love the vibrant colours – many of them primary – set off by the bold black background. For me it is reminiscent of those wonderful German traditional costumes and other textiles. It feels quite Christmassy! Thank you so much to quilter Ingrid Müller and Wiebke Rossa, senior editor at my publishers Random House, for sending the photo.
Now: a challenge to all you quilters in the United States: The Forgotten Seamstress has been published in your country for some months now, and I still haven’t heard about any American version of Maria’s Quilt! Please get quilting and send me your photos!
I really love meeting readers because they provide insights that I have never considered before.
But sometimes readers – usually unthinkingly – say things which aren’t quite so encouraging. So, as I prepare to embark on another frenetic round of book signings, book talks and other events to publicise the publication of my third novel, The Poppy Factory, I thought I’d record some of the things that, in my short career as a novelist I’ve been told – or overheard – and why it hurts to hear them.
1. I never pay full price for a book.
When did it become a badge of honour to get something as cheaply as possible? The full price for a paperback is around £7.99: the equivalent price of two very small glasses of wine in a bar, a posh starter at a restaurant, a tiny pizza, a pack of cigarettes or a bottle of cheap wine at the supermarket. For the same money, a novel will bring you pleasure for much, much longer than any of these.
2. I never buy real books, I haven’t got room in my house for them
And nor would you have any room for those empty bottles of wine, pizza boxes etc (see above) if you kept them all. Buy a book and then give it away, so that a charity can benefit from reselling it!
3. I don’t have time for reading
But you do have time to watch television, play on social media, have your nails done. Why not divert some of that time to reading – it is soooo much more satisfying.
4. My mum/gran will love this book.
I don’t mean to sound ungrateful, but what is this generational thing? Okay, I am no spring chicken, but that doesn’t mean my books are only for reading by your mum/granny etc. Many of my characters are in their twenties and thirties.
5. I only read romance/horror/crime fiction
Fair enough, we all have our favourite types of book. But why not break out once in a while and try something different!
6. I love my Kindle
Yes, okay, so do I. I love it for travelling, to save carrying heavy books. But I never enjoy books that I’ve read in electronic version quite so much, never feel as invested in them, as emotionally engaged, as with a physical book. They are less memorable, not least because you don’t have covers to look at and enjoy when they’re not being read. You can’t flick back and re-read passages that really caught your attention. You can’t check what the character said, two chapters back. Books that I really want to savour I buy in physical form and will often give away afterwards, unless I cannot bear to, for I too have little room on my shelves. Electronic books are really here to stay: they are really convenient and often helpful as bargain basement ‘loss leaders’ to introduce readers to a new author’s books. But I really hope that we will go on loving and valuing physical books too.
7. I only buy books in supermarkets, it’s so convenient
Supermarkets have an important role in bookselling and authors love them because they sell loads of copies, albeit usually at knock-down prices. But we absolutely must support independent booksellers, too. By always buying in supermarkets, you are spelling the death knell for those few local booksellers clinging on in difficult times, whose existence enriches our high streets and our book-reading lives. Supermarkets only stock a limited range of the thousands of books out there, and only new releases, so you are denying yourself that choice and each bookshop closing ultimately reduces the choice for everyone. If you’d like to support independent booksellers sign up to the Books are My Bag campaign.
8. I loved your book so much I lent it to all my friends.
A double-edged sword, this one. It’s great that you loved the book, but I so much wish you had bought copies for all your friends’ birthdays or Christmas presents instead, rather than passing round that single dog-eared copy!
9. Would you read my manuscript?
I love talking to and trying to encourage other writers, but writing is a full time job for me and there are professional manuscript reading services that would do a much better job.
10 You must be making a fortune, getting all these books published.
Excuse the hollow laugh. The cut-throat discount world of bookselling (see 1, 2, 6, 7, and 8 above) has ensured that 99% of authors these days have to do other jobs to make ends meet. I read somewhere that the average income an author gets these days is £11,000 a year, so we can assume that 50% of authors make less than that and only a tiny handful of very big names (and whose books get made into movies) actually make a ‘fortune’.
NB It goes without saying that none of the above reduces the joy I have in writing, the delight in seeing a book come to reality, and the absolute pleasure of meeting readers. Which is why I will be smiling with genuine pleasure to meet you at any of the events over the next few months!
This is the view from the place where I have been writing for the past few days – wild, bleak, and utterly beautiful, on the coast of Suffolk, the easternmost county of England.
In front of me is the grassy marsh, currently covered in brilliant purple sea lavender, then a narrow muddy creek, and then some more marsh, sandier this time and home to countless sky larks, leading to sand dunes and, beyond them, the great grey North Sea. And has it been grey, these past few days! Sometimes it’s been almost impossible to distinguish where the sea ends and the sky begins – the horizon merely a thin faint line in a paler shade of grey than either of the elements above or below it.
But that’s all to the good, because if the sun were shining I would be on the beach, or swimming in the sea, or walking on the marshes, or drinking beer in a pub garden. But when the sun is not shining there is nothing much to do here, so I write*. There isn’t even any distraction in the form of the internet (no broadband in this little house), which is why I have had to wait until returning home before posting this blog.
Well, that’s not entirely true, there are still plenty of distractions. Take the groups of schoolchildren who arrive in mini-buses each day wearing their rain gear and carrying buckets, nets and crabbing lines, excitedly gathering like flocks of birds across the bridges and along the side of the creek, ready to fish out the long-suffering little green crabs so they can be compared for size before being released back into the water. Take the walkers, and the artists, and the many others who love this place and come here for a few hours just to imbibe its calming effects before returning to their busy lives. It all affords us great people-watching opportunities.
Then there’s the wildlife: like the swallows nesting underneath this hut. It stands on wooden stilts to raise it out of the marsh and to keep it safe from the high tides that regularly swamp the land around us. So beneath my makeshift desk and the wooden floorboards is about eight feet of air and the rafters provide swallows with safe hidden places for nesting. I can hear the little ones cheeping for food as their parents swoop past the window and underneath the hut. Seagulls strut across the roof with their scritchy-scratchy claws, and you can often hear the distinctive piping sound of the oyster catchers striding through the mud at the edge of the creek as they search for dinner. Rabbits hop around the hut undisturbed and oblivious to the fact that we are watching from above.
If it is not actually raining there is the possibility of taking the small rowing boat ferry (it has been going for 500 years) across the river to the fishermen’s huts on the other side, where they sell the catch I hear being brought in early each morning, the deep chugging of the fishing boat engines invading my dreams. A crab salad for lunch, oh yes.
And when evening comes around and there is any chance of a sunset, we sit on the verandah with a glasses of wine in hands, watching as the sky all around turns spectacular reds, oranges and purples. Here, where the land is so flat, we have 360 degree views, and sunsets can light up the whole dome of sky, not just in the west. Thunderstorms with lightning can be terrifyingly impressive for the same reason.
And so the day passes, here on the Suffolk coast. A little writing, a lot of fresh air (sometimes coming at you at 60 miles an hour), reading, watching the world go by and doing a lot of just thinking. Bliss.
*I am around 30 thousand words into my new novel, provisionally entitled The Master Piece, about silk weaving and illicit romance against the backdrop of religious persecution, mass migration, racial tension and wage riots in 18th century Spitalfields, London.
What US Librarians say
I love the idea of LibraryReads, which covers libraries across America. The idea is that librarians all over the country are asked to nominate their favourite fiction and non-fiction adult titles that are due to be published in the forthcoming weeks. Short reviews of the top ten titles are published on their website at http://libraryreads.org. What’s so great about this? Librarians recommend thousands of books to thousands of readers every day. They also hear from readers about what books they like, and why. So a system which captures some of this information has got to be good news for readers and authors alike. It also helps to raise the profile of libraries and of books in general. It should definitely be adopted here in the UK, too! There’s another reason why I like this system: the lovely librarians of the US have chosen my second novel, The Forgotten Seamstress, as one of their top five for May. This is what they said about it: “Two women’s stories, separated by close to 100 years, connect through a patchwork quilt. Carolyn finds a quilt in her mother’s attic and is intrigued by its origin, and quiltmaker Maria’s story is told through transcripts. Trenow carefully stitches together a novel about family secrets, using many interesting details about fabrics, needlework, and textile conservation. A strong sense of place and well-told story make this book superior women’s fiction.”
I have been learning such a lot through talking to quilters about my novel, The Forgotten Seamstress! On Saturday I talked to a large audience for the Quilters Guild Region 8 Day, at Ipswich, and what made this day all the more special was the fact that quilter Judy Baker Rogers arrived with her version of Maria’s Quilt which was then duly hung for display, as a backdrop to my talk. Here she is on the left, with me on the right.
The only thing missing for me was Lynne Edwards, my collaborator and the designer of the Maria’s Quilt pattern, who unfortunately had a prior teaching engagement (she’s so in demand!).
I love the fact that quilters have such a broad interest in fabrics and their manufacture, as well as being fascinated by design, form, colour and all the rest. Judging by the numbers of copies of the book that they bought, they are also great readers! What a wonderful combination.
I am thrilled to bring you a photo of the beautiful finished version of ‘Maria’s Quilt’ sewn by Pauline Leadley.
She says: ‘I have enjoyed every minute of making this quilt and am almost sad that it is finally finished. I now have several friends reading the book and one of them is also making Maria’s quilt and she is doing appliques of different events and places in her life. It is such a good design because you can tailor it to your own interests and I think they will all end up looking quite different.’
Thank you so much, Pauline.